Showing posts with label Victoria Thompson. Show all posts
Showing posts with label Victoria Thompson. Show all posts

Wednesday, February 11, 2009

Women in history, women in mystery

THE WINNERS OF THE FREE BOOKS are Carol, Julie, Nancy, Caryn, and Jane. Send your full names and addresses to me at sandraparshall@yahoo.com and I'll put your books in the mail!



Sandra Parshall


History books are filled with heroes -- the men who led nations, waged war, made most of the scientific and technological advances -- but heroines are scarce. Only a few women broke through the cultural barriers to become major figures. In recent decades, women’s studies have given us more insight into the lives of women of the past, but history is still largely about men, both the exceptional and the ordinary. Historical mysteries, though, offer us a legion of strong heroines who take control of their own lives, fight the social constraints of their time, and risk everything in a quest for justice.

Two of my favorite historical mystery heroines are written by Anne Perry. Hester Latterly is a nurse who
worked with Florence Nightingale on the Crimean battlefield and returned to England filled with progressive ideas about patient care, only to run into the brick wall of ignorance erected by male doctors. In partnership with policeman turned private detective William Monk, Hester uses her stubbornness and intelligence to solve crimes. In Victorian England 35 years later, Perry’s heroine Charlotte Pitt goes about crime-solving in a very different way. Charlotte is from an upper class family but has done the unthinkable in marrying a common policeman, Thomas Pitt, and accepting a far lower social status. Charlotte is invaluable to Pitt when he’s investigating crime among the aristocracy, because she can move in and out of that circle with ease. Charlotte is always a lady. She almost always does what is considered socially acceptable. And she’s a heck of a good spy for the cops.

Perry’s deep characterizations and attention to detail set a high standard, but many other writers are creating their own memorable female sleuths in historical settings. I’ll mention just a few you might want to look for.

Rose Melikan began her mystery writing career with The Blackstone Key (Touchstone, 2008), set in 1795 England and featuring Mary Finch, a young woman longing for adventure and dreading a future of teaching at Mrs. Bunbury’s school for young ladies. Europe is at war, England is threatened with invasion, and Mary finds herself embroiled in a deadly plot involving smugglers, secret codes, spies and traitors. Melikan is an American, but since 1993 she has been a Fellow of St. Catherine’s College, Cambridge, focusing her academic research on British political history in the 18th and early 19th centuries. Her historical details are impeccable, and she has a style that beautifully presents the sensibilities of a lively young woman of the period. An interview with the author and a list of discussion questions at the back of the book will be useful to reader groups.


Victoria Thompson’s Gaslight Mysteries feature Sarah Brandt, who grew up in a wealthy home but now works as a midwife in the dreary tenements of 1890s New York. She witnesses poverty, crime, and violence, and together with Detective Sergeant Frank Malloy, she seeks justice for the less fortunate. In the latest book, Murder on Bank Street (Berkley Prime Crime, 2008), Malloy sets out to solve the murder of Sarah’s husband, Dr. Tom Brandt, four years in the past. What he discovers is devastating to Sarah and may destroy any
chance Malloy has for a future with her.




In the Ursula Marlow Mysteries, written by Clare Langley-Hawthorne, a headstrong (and beautiful, of course) young heiress in Edwardian England struggles to keep control of her father’s textile empire. This series has been compared favorably with Jacqueline Winspear’s Maisie Dobbs books. In the second installment, The Serpent and the Scorpion (Penguin, 2008), Ursula is off on a business trip to Egypt, where a new friend is murdered and the friend’s sister dies in a fire at one of Ursula’s factories. Back home in England, Ursula discovers possible links between a former suitor and the murdered women, at the same time she fends off Lord Wrotham’s marital overtures.


Emily Brightwell’s long series of Mrs. Jeffries mysteries should suit those who have read all the Miss Marple novels and long for more of the same. Mrs. Jeffries keeps house for Inspector Witherspoon – and serves as his secret weapon in crime detection. The latest, Mrs. Jeffries in the Nick of Time (Berkley Prime Crime, 2009), has the cunning housekeeper back in action, solving the baffling murder of a train enthusiast who died upstairs while a gaggle of friends and relatives sipped tea downstairs.

Suzanne Arruda, whom I interviewed here recently, places Jade del Cameron in a place and time where adventurous women probably had more freedom than anywhere else on earth: colonial Africa during the 1920s. Jade leads safaris, shoots, flies a plane, and solves murders. In the latest book, The Leopard’s Prey (Obsidian, 2009), Jade has to clear her lover’s name when he is suspected of murder.

Do you read historical mysteries? Which series is your favorite, and who is your favorite heroine?


Want to try one of the mysteries mentioned above? Leave a comment and tell me which book you’d most like to read – The Leopard’s Prey, The Blackstone Key, The Serpent and the Scorpion, Murder on Bank Street, or Mrs. Jeffries in the Nick of Time – and why. I’ll choose a winner for a free copy of each book. Check back tomorrow to find out if you won. Scroll down through Liz Zelvin’s Thursday blog (only after reading it, of course!) and you’ll find the names of the winners added at the top of my blog.

Saturday, June 14, 2008

Guest Blogger: Victoria Thompson

Victoria Thompson is a prolific romance and mystery writer who has published 20 romances, and 10 historical mysteries in her Gaslight series, set in New York City on the late 1800s. Fans of the series, who have long speculated on how and why Sarah Brandt’s husband died, will finally have the answer in the newest book, Murder on Bank Street, which has just been released.

PPD

Between 1985 and 1997, you published 20 romances, many of them related to Texas. Why Texas?

Victoria
I always loved the Old West, having grown up watching cowboys on television. The cowboy is America's mythical hero, and part of our national romantic fantasy. I lived in Texas for seven years, so it seemed natural to write about a place I knew and loved.

PPD
You also have a strong romantic thread running through your Gaslight mystery series. You’re doing a great job of prolonging that thread through 10 books now. What are your thoughts about the place of romance in mysteries and what a writer can do to bring a relationship along through many books?

Victoria
When I first started writing mysteries, I was warned repeatedly that mystery readers don't like romance in their books and I shouldn't even try to put it in. I couldn't keep Frank and Sarah from caring about each other, and every fan letter I get wants to know when Frank and Sarah will get together. So much for mystery readers not liking romance! The relationship makes the readers care about my protagonists and see them as real people, which keeps them coming back for the next book. The writer must be careful not to let the relationship overshadow the mysteries, but at the same time, she must keep it going book after book. I have created may obstacles to Frank and Sarah's romance, and they will not be overcome anytime soon, considering the world in which they live.

PPD
As a writer of historical mysteries, what was the most important research you did to be able to set your books in the late 1800s?

Victoria
The 1890's is a fascinating era, and I have learned that many of the issues people were concerned with then are the same issues we're struggling with now: prejudice against immigrants, finding Mr. Right in a dangerous world, women making it in the workforce, a deep interest in alternative religions and spiritualism, alternative medicine, political corruption—I could go on and on. So even though my books have an historical setting, the topics are very contemporary and appeal to modern readers. I love doing the research for my books. Whenever I come across a fact that makes go, Wow!  I didn't know that!  That's what I put in the book.

PPD
I love the way you use New York City as a character, and set each of your Gaslight mysteries in a different part of the city. What makes New York, and especially Greenwich Village come alive for you?

Victoria
Oddly enough, when I was approached about writing this series, my daughter was a freshman at NYU. We had visited her there and walked around Greenwich Village and even bought books on the history of the Village just because I was interested. It was like kismet when they asked me to do this series, because I was already preparing for it. New York is a place like no other on earth, and the city really does have a life of its own. You only need to walk the streets to realize it, to feel the beating heart of the city. I wouldn't want to live there, but it's a wonderful place to write about.

PPD
You have a link on your web site to the Ellis Island Foundation. http://www.ellisisland.org/ Tell us a little about that foundation.

Victoria
The Foundation helps people find their immigrant ancestors.  We found my grandparents who came over to the US from Italy in the early 1900's through the Foundation's records, and for the first time, I knew where they had been born. We immediately planned a trip and went over the visit the small town in Calabria. It was wonderful to be in a place where people knew my family name, which is rare even in Italy. As a result, I have also met many other Americans whose ancestors came from this town and become involved in a charity that raises money for the town.
 
PDD
You’ve assisted in founding two writers’ groups: Novelists, Inc. http://www.ninc.com/ a national organization, and PENNWRITERS http://www.pennwriters.org/, a state organization in Pennsylvania. Since many writers now have access to one another through web sites, blogs, and on-line social networks, why is it important for writers to still come together in formal organizations on the state and national levels?

Victoria
Actually, I also helped found New Jersey Romance Writers, too! http://www.njromancewriters.org/ It's true the internet has enabled writers to be in contact with other writers more easily and has greatly aided in the communication of information about the industry.  Sometimes bad information gets spread, but most of the time, it's a valuable tool.  Even still, it's impossible for individual writers to have any influence over the publishing industry, no matter how much they talk and blog online.  Griping to each other can't change anything. Writers' organizations are the only ones who can really work for change and stand up for writers' rights in an industry where writers are often treated as the least important part of the process.
 
To learn more about Victoria and her books, visit her web site, www.victoriathompson.com