Showing posts with label Jersey Shore. Show all posts
Showing posts with label Jersey Shore. Show all posts

Friday, February 22, 2013

The Jersey Shore

by Sheila Connolly


I will shamelessly piggyback on Sharon's lovely post from earlier this week, about family photos.  I am thanking my lucky stars that no one in my family was quite so obsessive about cataloguing our family on either side, because we fall far short of her tens of thousands of images.  Of course, that's a mixed blessing, because there isn't much for me to look at going back.

My engineer father was the primary photographer in my family (my mother professed an aversion to all things mechanical).  That does not mean my father was particularly good at taking pictures.  He wasn't documenting anything.  He often preferred artsy scenes of sunrise to family groups.  And when he did take pictures with people in them, he had a persistent habit of focusing on their faces, which means that people's feet are often cut off, and we get a great view of the ceiling in a lot of places.  I do understand—I have to fight the same tendency myself, because it seems almost rude not to "look" people in the eye when you're taking their picture.


Recently I was asked to submit a short essay for an anthology whose proceeds (if it's published) will go toward rebuilding the Jersey Shore, hard hit by Hurricane Sandy.  Since a lot of my happiest early memories go back to Long Beach Island, I was glad to participate.  Of course the first thing I did was to go searching for the photographs from that era, which proved to be challenging. We had 8-mm movies (I have those, and the projector and screen to show them, not that I ever do) and snapshots, and by our last years there I had a camera too, and took my own clutch of bad pictures. 

The pictures were scattered among those my grandmother had saved, those in albums my mother had assembled (giving up when I was younger than ten), and those I had taken.  They were oddly faded and curled, and even the negatives weren't much use, since modern negative scanners favor the 35mm format, not the old square negatives.

But I wasn't making a picture book; I was looking for images to trigger my own memories.  There weren't many photos, but there were enough.  I was pleased that the pictures corroborated what I recalled:  those were happy days.  No television allowed at the Shore, so I read—that's when I got into Nancy Drew.  Nobody back then worried about skin cancer, so we spent long hours on the beach, coming back bright red.  I spent a lot of quality time with my father, and he taught me how to body-surf.  I can't catch a wave now without thinking of him.  

We drank brightly-colored nameless sodas and we ate a lot of lobster.  I collected shells, and once I found the carcass of a horseshoe crab (which my mother wouldn't let me keep). One time after an overnight storm I railed against the trash that had washed up on the beach (luckily in those days we didn't even know about medical waste), and marveled that by the next day it had disappeared as quickly as it had come.

Nobody labeled the pictures, so I had to do some guessing about when they were taken.  Luckily back in those days Kodak printed the date on the processed photos, so that helped a little.  We didn't entertain a lot, so there aren't many mystery faces to puzzle over.

Once, many years ago in France, I spent an afternoon sitting on a family's shaded lawn, and the entertainment consisted of pulling out boxes of family photographs and postcards, handing them around, and commenting on them.  I wasn't related to that family in any way, but they assumed I would be want to be included, and in a way I was.  People should do more of that.  We should share pictures not merely to identify who the smiling faces are, but to recall the events they depict and the memories they evoke.  That's how we keep our families alive.



Saturday, June 12, 2010

THINGS THAT AREN'T TRUE ABOUT BEING A WRITER

by E.J. Copperman

Poe's Deadly Daughters welcome as our guest the mysterious E.J. Copperman, the author of NIGHT OF THE LIVING DEED, the first Haunted Guesthouse Mystery from Berkley Prime Crime. You can find out more about E.J. at www.ejcopperman.com or read E.J.'s blog Sliced Bread at http://itsthegreatestthing.blogspot.com/


People who are not writers--and by that I do NOT mean simply people who have not yet been published, but people who actually never sit down and write anything longer than a grocery list--have a number of misconceptions about what it is like to write a story, a play, a screenplay, a greeting card, or for that matter a blog post. Well, the gracious folks here at Poe's Deadly Daughters have invited me aboard to fill in today and help a little. So let me disabuse you of your misconceptions, non-writers, and perhaps a few writers will also find some truth in what I say. Or not.

First, let me establish my credentials, which is not nearly as dirty a process as it sounds. I'm the author of the current NIGHT OF THE LIVING DEED, the first Haunted Guesthouse Mystery, which was published the first day of this month. And if you do a tiny bit of digging (like going to my website www.ejcopperman.com, for example), you might find that I've written one or two other things, as well. So I have, demonstrably, written in my lifetime, and there are even some people who have read what I wrote and, dare I say it, purported to enjoy the experience. So let's, for the sake of argument, assume that I'm a writer.

That means I can tell you a few things about what being a writer means, and more important, what being a writer DOESN'T mean.

THINGS THAT AREN'T TRUE ABOUT BEING A WRITER

1. No, you wouldn't write a novel if you just had the time. If you're not writing one anyway, let's face it, you're probably not going to do it.
2. Almost no writers are "famous authors." I am, believe me, NOT a "famous author."
3. We all don't KNOW the famous authors, either. I don't have Stephen King's phone number, but he can have my email address if he'd like it.
4. Our main characters are NOT all based on us. And no, my books aren't set in my hometown, or any real town. No, they're not. No, not even that one.
5. We don't just sit around all day waiting for inspiration. Who has the time? We have to figure out new ways to get you to buy our PREVIOUS inspirations.
6. Mystery writers really couldn't solve crimes. I don't care what they do on CASTLE.
7. We don't type "THE END" on a piece of paper in a typewriter anymore. Haven't for decades.
8. We don't all drink. I, for example, have a beer about every two months. SOME of us drink, and not that often to excess. It sure as hell isn't part of the creative process.
9. Mystery writers don't ALWAYS "kill off" people we don't really like. Okay, maybe we do. But not ALL the time.
10. No, it's not a good idea to set a mystery novel at a mystery writing convention, and no, you didn't just think of that yourself. EVERYBODY has thought of that.
11. Many of us, believe it or not, DON'T have classical music playing whenever we're working.
12. There are a couple of us who have developed at least rudimentary social skills.
13. We have no control over the covers on our books. None. We're consulted once in a while, and then the publisher does what they want. (Personally, I'm thrilled with the cover of NIGHT OF THE LIVING DEED, but I still didn't have anything to do with its design).
14. Sometimes, we don't even write our own titles.
15. Writing is NOT fun. HAVING WRITTEN, on the other hand, is a blast. I recommend it highly.

I hope the above list is helpful. By the way, NIGHT OF THE LIVING DEED is about a recently divorced mom who returns to her Jersey Shore hometown and buys an old Victorian with the hope of turning it into a comfy guesthouse. In the midst of renovations, however, she discovers two ghosts haunting the premises, and they won't let her complete her home improvement--or open her new business--until she does them a little favor: They want Alison to find out who murdered them. (You didn't think I wouldn't plug the book, did you?)

And if that doesn't hook you, feel free to ask questions, and maybe I can come up with something else.

Thanks to Poe's Deadly Daughters for the opportunity. Ladies, it's always a pleasure.