
First: NINE COACHES WAITING, by Mary Stewart. This is an ever-fave with me; I've purchased it for several family members and, whenever there's a new cover, for myself. It's a classic suspense tale in a 1960's setting--but Mary Stewart transcends the genre with her literary style and her intelligent heroines. In this adventure, a young English woman (whose mother was French) goes to France as a governess in a sort of JANE EYRE scenario--she is orphaned and without a job. In France she meets her diffident young charge, Phillipe, who is also an orphan and who seems unliked by his strange, strange family . . . . The book combines suspense with humor and enjoyable doses of romance.
Second: BRAT FARRAR by Josephine Tey. This book amazed me the first time I read it, and even upon re-reading I am impressed by the layering of Tey's plot and the cleverness of the resolution.

The Amazon review reads "Brat Farrar has been carefully coached to assume the identity of Patrick Ashby, heir to the Ashby fortune who disappeared when he was 13. Just when it seems that Brat will pull off the deception, he discovers the truth about Patrick's disappearance, a dark secret that threatens to tear apart the family and jeopardize Brat's carefully laid plans. Called "the best of its kind" by the New Yorker, Josephine Tey's classic is a tale of unrelenting suspense and tension." I agree with that, and I'd add that, while Tey gets her share of attention in the mystery world, she should be more often listed with the greats of the genre.
Third: REBECCA by Daphne Du Maurier

This book, like NINE COACHES WAITING, continues the Gothic tradition while exploring the notion of class consciousness in an England where the wealthy set don't mix with the genteel poor, and the conflict created when a young, inexperienced girl marries the rich, widowed Maxim DeWinter is ratcheted higher and higher as the novel goes on. Rebecca, his former wife, hovers like a malignant ghost over the giant estate called Manderley.
REBECCA is a favorite among many mystery writers and readers, and a colleague of mine at the high school told me that it was this novel which made her want to be an English teacher. It continues to be a compelling tale and an example of one of DuMaurier's best.
Fourth: THE LONG GOODBYE, by Raymond Chandler.

Fifth: HAVE HIS CARCASE is my favorite Dorothy Sayers mystery; in it, Peter Wimsey continues to pursue a rather distant Harriet Vane. What brings them together, of course, is murder.

If any of these sound good, do buy them. Anyone would be happy to receive one of these great reads in her or his stocking.
And if you'd like to add to the list, tell us what we might want to buy in lieu of--or in addition to--these fine mysteries.