Soon-To-Be-Published

Rosemary Harris (Guest Blogger)

The gestation period for an African elephant (loxodonta Africana) is 22 months. I can top that. Even if I only go back as far as the date I got my agent, (as opposed to when I finished my book) I've been expecting for 27 months - with another 5 months to go.


I don't know this information first-hand, but I understand nausea, cravings, crying jags, moodswings, and insomnia all feature prominently in the expectant mother's life. What a minute! I DO know that stuff first-hand, I’m soon-to-be-published.

My story goes back even further. I never dreamed I’d write a book, but once I did, my husband encouraged me to find an agent. That in itself took about a year. I sent the manuscript to the first agent I’d heard of (insert eyeroll) and then waited six months for her to get back to me. Unsurprisingly, it was a rejection. Foolishly, I let that scenario repeat itself two more times before I did the math and calculated that at that rate I could be ninety before I connected with someone who recognized my book for what it was – a good, publishable mystery.

I rewrote the first chapter on a fourteen hour flight from Hong Kong to New York, with one leg suspended in the air due to an accident in Beijing the day before. I don’t know if writing in that position caused more blood to flow to my brain, but by the time we landed, I knew I’d made it better.

Instead of waiting around like I’d done in the past, I sent the new first chapter and a letter to ten agents I’d identified as being cozy-friendly. Within two weeks, three of them had gotten back to me. I chose the one who seemed like the best fit for me, and I was right.

So, the bubbly flowed in the Harris household and I engaged in what my husband affectionately refers to as the “Rosemary dance,” probably because he’s too kind to use the word goofy. In my naiveté, I thought the book would be sold in sixty days and likely be released the following year. (Insert second eyeroll.)

Between “it’s summer and everyone’s away,” “it’s Frankfurt and no one’s here,” “it’s the holidays, sales conference, fill in the blank..” I began to cobble together quite an image of the average book editor – tanned, athletic, a cross between Anna Wintour and Joan Crawford, constantly jetting off to one glamorous location or another, only stopping to check her mail periodically and break the hearts of little people like me.

By the time I got my book deal, another nine months had passed. I was beginning to sense a pattern of hurry up and wait, but I was still ecstatic. More champagne! More goofy gyrations! After two agonizing months, the long-awaited meeting with my editor took place. I was instructed to meet Anna/Joan at a cool restaurant in Manhattan. Since I was early (overeager?) I was ushered to her preferred table in the back to wait.

I’ve grown to love MM dearly, and I don’t think she’ll mind if I say she is not especially athletic and definitely not tanned. We had a wonderful lunch – she loved my character, my book, and me. She thought it needed very little editing – “yes,” she said, poking at her grilled watermelon, “we’ll release it Winter 2008.” What?? It was summer ’06, what was she talking about? “Well, these things take time.” Apparently. The only good news was that Winter 2008, didn’t mean December 2008.

For the first six months I gnashed my teeth. Friends were starting to lose interest, or worse, thought I was delusional, like that writer who lied and told his friends he was going to be on Oprah. Then a veteran publishing person said to me “Enjoy it. You’re soon-to-be-published. Anything can happen.” He was right. Hell, maybe I could get on Oprah. Or Victoria Beckham could be spotted in an airport with my book. The possibilities were limitless.

Since then, I have embraced my STBP status, going to shows, joining groups, and more importantly learning from the generous writers who’ve been down this road before and have been kind enough to share information with a newcomer. When you’re STBP the world is your oyster.

When Rosemary Harris finally does deliver, happily it won’t be a 260 lb calf, it will be a 290 page book, Pushing Up Daisies, her debut novel and the first in the Dirty Business Mystery series. St Martin's Minotaur, February 2008. (She does not really think she’s going to be on Oprah.)

Talent, Persistence, and Luck: How to get your book published

Elizabeth Zelvin

Even though my first mystery isn’t out yet, I periodically get requests from friends and colleagues to allow someone who is writing a book or wants to write a book to contact me. I know what they want to know: "Can you help me get my book published?" I can tell them what it takes: the proverbial talent, persistence, and luck--in most cases, including mine, a drop of luck in a sea of persistence. But can I help them? Not quite the way they hope. Why me? Either it’s because I live in New York, or the aspiring author is a fellow mental health professional, or, simply, I’ve written a mystery and miraculously found a publisher. I have been tremendously grateful for every speck of encouragement, support, and generosity I’ve gotten from established mystery writers along the way. I’m glad to respond to an email and give what tips I can. But the truth is that there are no short cuts. I thought it might be helpful to put what I can say in one place (ie the archives of Poe’s Deadly Daughters) where I can refer people to it rather than reinvent the wheel each time. So here it is. If you want to publish a book, here’s what you have to do:

1. Write the book. The whole book. That’s true for the first novel, whether it’s literary, genre, or mainstream fiction. It doesn’t matter if you’ve published in other fields. If you haven’t published any kind of novel, you’re an unpublished writer as far as the fiction world is concerned. I had two books of poetry and a book on gender and addictions. It didn’t matter.

1a. If you’re, say, an academic or professional who’s published in scholarly journals and with professional presses, and you want to write nonfiction for the popular market, you’re still an unpublished writer as far as trade publishing is concerned. You don’t have to write the whole book. You do have to write a complete outline and sample chapters. There are books that can tell you how to do this correctly. You also need a platform: an audience or market or public visibility that will sell your book. Being an experienced professional with an interesting career is not a platform. The ideal platform? You’re already Oprah when you decide to write a book.

2. Get critique. Revise. Kill your darlings. A first draft can always be improved upon, and considering how tough the market is, you need every advantage you can get. I learned this slowly and the hard way. But if you know you can’t tolerate criticism or rejection, reconsider your dream of getting published.

3. Research agents. There are no short cuts. I queried 125 agents—including two who took me on and gave up too quickly, as well as maybe 40% who liked my query letter well enough to read a full or partial manuscript—before I sold Death Will Get You Sober. Some good places to research agents, all updated annually (or more frequently if online):
. LMP (Literary Market Place). THE reference—read it in the library.
. Jeff Herman’s Guide to Book Publishers, Editors, and Literary Agents.
. WritersMarket.com. I subscribed to the online service for $30/year, didn’t bother with the book. It’s updated constantly. Most helpful feature for the newbie: it gives the percentage of new and unpublished authors each agent represents. You can then use that as a hook in your query letter: “I understand you are receptive to new authors…”
. AgentQuery.com.
There are others, but these will give you plenty to work with. Oh, and check each agent’s website before you send your query. They may include submission criteria and biases (not in a bad way) that don’t appear in the guides and directories.

4. Write a killer query letter. Keep it on one page, and don’t try to squeeze in more with no margins and smaller fonts. They’ll know.
Paragraph one: Your hook and what kind of book you’ve written. If you can say “So-and-so suggested I ask if you would consider…” that’s great. But if you don’t have a contact, the hook can be that you know they represent the kind of book you’ve written or that they do take on new authors. If you met them at a conference or even at a party, that’s great too.
Paragraph two: A concise description of the book. Make it sparkle.
Paragraph three: Who you are, ie what’s interesting about you and why you’re qualified to write this particular book.

5. Write a synopsis. Expand the paragraph describing the book in your query letter into a one-page synopsis. Be prepared to parlay it into 300 words, 500 words, and three pages as needed.

6. Get a support network—local or online or both. If you’re a woman writing a mystery, join Sisters in Crime, and then join the Guppies, which is the online chapter for prepublished writers. They’ll hook you up with a critique group, help you polish your query and synopsis, share the scoop on agents they’ve contacted, eat virtual chocolate in commiseration when you get rejection letters, and drink virtual champagne when you find an agent or a publisher. If you’re a guy writing a mystery, ask yourself: do you have the guts to be a male Sister? There really is nothing quite like Guppies for men. Your local chapter of Sisters in Crime may be supportive and helpful too. So may your local chapter of Mystery Writers of America. Online, mystery lovers (not just writers) hang out at DorothyL.com and crime fiction lovers (all part of the spectrum) at CrimeSpace.ning.com. Folks on these lists and sites will point you toward others. Many will be helpful. I don’t know if anything like the good will of the mystery community exists in other genres. We are lucky!

7. Start sending out those query letters. Include a stamped self-addressed envelope with your query. Don't email queries unless the directory and/or the agent says they accept them. Follow submission guidelines on the agent's website. Your support network will help you not take those form rejections too personally and share your elation and despair when you get what we call a “rave rejection.”
7a. Keep sending out.

8. KEEP WRITING.