Showing posts with label Old Sturbridge Village. Show all posts
Showing posts with label Old Sturbridge Village. Show all posts

Friday, October 11, 2013

Room for Something New

by Sheila Connolly

Last week I wrote about the obsolescence of things learned in the past. Now I want to look at learning new things.

There seems to be some scientific consensus that exercising one’s brain will keep it healthy and nimble.  I’ll vote for that (note that writing is the most recent of a long line of careers for me).  In addition, I’m interested in learning about skills that people don’t do anymore, because I find myself writing about the past, even though my books are set in the present.

Last weekend I went to Old Sturbridge Village for their annual Apple Days celebration (which of course I consider research for my Orchard Mysteries).  They have a nice collection of heirloom trees there, all untouched by chemicals, and they offer (among many things) a tasting each year, which is fun since most people don’t know these older trees exist, much less have a chance to try them.  I was pleased that I actually have some of the ones they shared this year, and I was so enamored of one variety (“Mother”) that I ordered one, that will arrive in the spring. That makes it my ninth apple tree (I have a very small orchard).

I did pass up the cider molasses making demonstration, because it promised to be a long slow process: build fire, hang cauldron of fresh apple juice over it, boil until thick, skimming off whatever crud floats to the toop.  End of recipe.

However, I was excited to learn how one shoots a musket (ca. 1816), which is useful information.  It involves measuring black powder (which looks more like small gravel than powder) into the barrel, stuffing down a wad of cloth to keep it there and contain the charge for just a bit (if you’re really shooting, you’d put a lead ball in next), then adding a dash of powder to the “pan,” then sharpening your flint so it will produce a spark, and finally you get to shoulder the thing and fire.  It’s very loud.  The process gave me a whole new appreciation of warfare, when each combatant had to go through this laborious process just to shoot a single bullet. (And also deal with misfires and erratic shots that go astray, no matter how good a marksman you were.)

And then I went on to the communal cider making display.  Actually that’s a misnomer:  it was an apple grinding event, powered by an ox, that created the mush that would then be placed between layers of rye grass in a giant press and squished to force out the juice, which was then transferred into barrels to ferment.  At that point the description gets even lovelier:  the biological detritus (like a few mouse carcasses, dead insects, leaves, stems and twigs) gets blown out the top bung-hole by the fermentation process, while the “lees” sink to the bottom of the barrel.  If you want to decant the drinkable part, take it from the middle! 

I learned that cider making really was a communal effort.  One entrepreneur owned the grinder and the press, and the good citizens would bring their apples (and their ox or horse for power) for processing; they would then pay the owner in barrels of cider.

After that I was fascinated to listen to a reenactor describe how to bake in a brick oven (build large fire early in the day, to heat the bricks, then remove the fire, shut the flue, and start adding what you want baked—the stuff that takes longest goes in first, toward the back, and you keep adding more items through the day).  The way to test the heat is to stick your hand in and see how long you can stand it:  10-12 seconds means it’s about 450 degrees. Anybody want to go back to the good old days?

I’ve been visiting OSV since I was a teenager.  I’m not sure what impression it made on me then, but it was enough to keep me coming back over the years, and I introduced my daughter to the place when she was just about the same age I was when I first saw it.  I don’t expect anyone to hand me a musket and tell me to shoot someone (or something), nor am I going to haul bushels of apples to a shared press.  But knowing how these things were done gives me a better understanding of life in earlier centuries. It’s a wonder anybody won a war, when the weaponry was so erratic and slow.  It’s a wonder anyone managed to cook anything (particularly in the summer, when the kitchen must have been blazing hot, not to mention infested with flies, attracted by the livestock just outside the door).  But wars were fought and people ate, so I guess it all worked out.

I love research. And to think I call this work! 
 

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Friday, October 7, 2011

Time Travel


by Sheila Connolly

 

I visited 1830 this week. No, I don't have a time machine; I went to Old Sturbridge Village (about an hour from my home) for their annual Apple Days. I was trying to remember how many times I've been there, and I think this was my sixth trip. The first was during a college tour with my mother and grandmother; the second, with my daughter when she was roughly the same age I was when I first saw it. The other trips were "business," more or less: there are heirloom apples and quince still growing there, and the staff includes a very well-informed food and garden historian. (And an excellent bookstore!)


I've visited Jamestown and Colonial Williamsburg, but that was with my daughter's fifth-grade class, which is not optimal if you want to absorb the ambience of another era (someone please explain to me why children always seem to need to find a bathroom when they are as far as possible from the nearest facility? And it's pitch dark? BTW, I compared notes with my daughter about what we remembered best, and for both of us it was the candlelight tour—where it was so dark that we couldn't see anything in the multiple shops we visited). I've also seen Plimoth Plantation, which is practically in my back yard; I've talked to one of my ancestors there. OSV wisely chose to replicate a different era, the early 19th century, and they did it very well.





Perhaps my favorite trip there was the one with my daughter, during her spring break in April one year. It's easy to forget that in New England it sometimes snows in April, and that was the case that year—not a blizzard, but intermittent snow showers, enough to discourage the ordinary tourist. But not us. We had the whole place to ourselves, except for the re-enactors going about their business. There were new lambs in the barn, and fires on the hearths. It felt authentic.


One thing all the aforementioned historical recreation sites share is that the designers made it possible to ignore the modern world. Of course there are still planes flying over, and if the wind is right you hear the ocean-like swoosh of the nearby highways, but you don't see any of today—except for the modern tourists. I don't like tourists, even when I am one. I like nothing better than to find places off the beaten track, where the tourists never go. I like to sit and listen to the quiet, and observe small details.
Old apple trees

Still, that second trip to OSV, and this most recent one, came pretty close to my exacting standards. It was possible to get a real sense of how life used to be in New England, down to the eddying woodsmoke and the plentiful cattle droppings on the muddy roads. The fact that I can prove some distant relationship with some of the people who lived in the houses at OSV adds to the attraction for me (disclaimer: most of the buildings weren't there originally, but were transported from other places nearby and carefully reassembled on site).



I believe we all harbor a mental image of New England, which was in its early years nearly synonymous with the United States. The big white church, the green (once for grazing livestock, later for training militias), the houses of the rich clustered around the green, the poorer farms at a distance—all are part of our collective memory. My earliest impression came from a tiny color pictures in a Readers Digest, and I still remember it. The thing is, some towns still look like that picture, and OSV has stripped away the later "improvements" and captured what that iconic town looked like.


My next trip to Old Sturbridge Village is already planned: next month Bruce Irving, the author of New England Icons and a former producer for This Old House, will be speaking at a luncheon there about what makes New England special (in terms of its physical architecture), with a little help from Norm Abram of This Old House. I'm already signed up. Maybe it will help me understand why I fell under New England's spell long before I ever saw it, and why I'm writing a series about it now.