by David P. Wagner
Author of Cold Tuscan Stone
In the late 1970s I was a young vice-consul in Milan, beginning a love affair with Italy which continues to this day.
As I tell people any chance I get, living in that country changes one’s life. It makes you look at everything differently, starting with history: Italians are the cynics they are because they’ve seen everything already. I remember reading an article in a Rome paper about a plan to restrict car traffic in the congested center of the city, and the journalist pointed out that the first politician to decree foot traffic only inside the walls was Julius Caesar. So no matter what happens, especially in politics, the average Italian knows that it will be nothing new.
But another way Italy changes you is with your relationship with food. Food is an important part of Italian culture, perhaps – dare I say it? -- more important than art. Though in fact you could say that it is art. I remember my business lunches with Italians always started with a serious discussion of the menu, and if I was a visitor in the hinterland, the locals urging me to try some regional specialty. Italians know their food and they take it seriously.

Which brings us back to the young vice-consul in Milan. One time, I don’t remember the year, I found myself traveling to the wonderful city of Parma, which was part of my territory, to represent the consulate. I had been to Parma many times, always building my schedule around a lunch with some local contact. Many people, perhaps me among them, believe that Parma has the best food in Italy, though that debate is better saved for another time. But we’ve all tasted parmeggiano reggiano, perhaps the best known of Italian cheeses, which takes its name from the city and the region.
The event I was sent to was organized by the consortium of parmeggiano reggiano producers to honor the cook book author Marcella Hazan. Mrs. Hazan was born in a town in the eastern part of Emilia-Romagna, Parma’s region, but lived most of her life in the States after marrying New Yorker Victor Hazan.
The cheese producers were thanking her for promoting Italian food in America, and she certainly did that. Her books are, in my opinion (and more importantly my wife’s, since she is the real cook in the family) the best books on basic Italian cooking you can find in English. After she received her certificate of appreciation, there was of course, a fine lunch. I still remember that the first course was a classic local dish, tortelli d’erbette, but instead of the waiters serving it from the usual silver platters, it was scooped from hollowed out wheels of parmeggiano reggiano. I was very impressed.
But the highlight of the lunch was being seated next to the delightful Signora Hazan. We talked food, of course, though I recall that she just picked at what was put on her plate. I also remember that even though she lived in the U.S., she was more comfortable chatting in Italian. She also showed her roots by smoking a lot, but it was the 70s, back when it was not just legal in restaurants but normal.
I was already a fan of her books, but the encounter with Marcella made me get the new ones whenever they appeared. Sadly, the final one has appeared, since Marcella Hazan passed away in September at the age of 89 at Longboat Key, Florida.
David P. Wagner lived in Italy for a total of nine years. His first book, Cold Tuscan Stone, A Rick Montoya Italian Mystery, is published by Poisoned Pen Press. It takes place in the ancient city of Volterra and involves stolen Etruscan artifacts, intrigue, and murder. And since David couldn’t just write “and then Rick had lunch,” it includes a few descriptions of Tuscan food. More information on the author, Italian food mentioned in his book, and Italy, can be found on his website, davidpwagnerauthor.com.
Sandra Parshall
Everyone who leaves a comment today will have a chance to win new Penguin editions of several Donna Leon novels.
Two or three years ago I decided to read more mysteries by non-American authors. One of the first “exotic” writers I tried was Donna Leon.
Yes, I know – she’s American. I know that now, but when I started reading her I thought she was Italian, and nothing in the text tipped me off. Leon has lived in Venice for two decades, and she has absorbed the culture so thoroughly that her 18 Guido Brunetti novels (the 19th, A Question of Belief, will be out in May) are pitch-perfect in their portrayal of Italians and their society. She has a legion of fans all over the world – except in the country where her books are set, because she will not allow them to be translated into Italian. She prefers to live anonymously in the city that inspires her crime stories.
In many ways, Leon’s Commissario Guido Brunetti is the antithesis of the modern fictional cop. He may be melancholic and cynical, but Brunetti doesn’t wallow in depression the way Kurt Wallander does. Although he’s frustrated by official corruption and his boss’s stupidity, it’s hard to imagine him hurling a computer or chair through an office window the way Harry Bosch might. He doesn’t rough up suspects, although he does nothing to stop a pimp accused of beating two 11-year-old prostitutes from being questioned by a couple of angry detectives with young daughters. His job is to bring the guilty to justice, but like many Italians he is never surprised when criminals elude punishment.
Brunetti’s saving grace is his fulfilling personal life. No divorce, no bitter ex-wife or incorrigible children. Brunetti is happily wed to the intelligent, articulate Paola, a university professor with an aristocratic heritage and leftist leanings, a talent for gourmet cooking and a steadfast love for her husband. Their offspring are normal kids. Whatever may happen on the job, Brunetti will always go home to his family’s open arms and a satisfying meal. He enjoys reading and visiting museums.
Brunetti has what his creator calls a “love-irritation” relationship with Venice that reflects Leon’s own feelings about her adopted home. Unlike some American authors who set their books abroad but live in the US, Leon is a true ex-patriate. She settled in Venice more than 25 years ago after teaching English literature in the United States, Iran, China, and Saudi Arabia. Her first mystery, Death at La Fenice, resulted from a joking conversation with a friend in the opera about a musical director who inspired homicidal thoughts. Leon tries to avoid the parts of Venice that are clogged by 150,000 tourists every day. She lives among the ordinary Venetians who make up Brunetti’s world, and she writes about the social problems and political corruption that affect them.
Leon has become an internationally bestselling author -- whose novels have inspired both a cookbook and a guidebook -- without any of the blatant self-promotion that many writers consider essential. You won’t find her chatting all over the internet (although she has a Facebook fan page, it hasn’t been updated in more than a year). She doesn’t blog relentlessly about the boring details of her daily life. Her official websites are maintained by her UK and US publishers. She doesn’t turn up at every mystery conference. She has reviewed crime fiction for the London Sunday Times and started an opera company, but for the most part, she lives quietly in Venice, spends her time writing wonderful books, and lets the world come to her.
If you haven’t discovered Leon’s books yet, or you’d like to catch up on some you’ve missed, leave a comment and you’ll be entered in a drawing for several new Penguin trade paperbacks.