Tuesday, June 10, 2008

If not now, when?

Sharon Wildwind

Every year, during the first week in June, the province of Alberta celebrates Seniors’ Week. Many cities have special events for older adults, and I was fortunate to attend a marvelous one last week. It was called Celebration of Creative Aging Symposium.
Here are some notes from material presented at that symposium by Susan Perlstein. She founded Elders Share the Arts in New York City, and is currently the Director of Education and Training at the National Centre for Creative Aging in Washington, D.C.

Creativity is scary as well as having a lot of positive values. The arts are deep play. Current brain research shows that as people age, both sides of the brain integrate. Younger people tend to be more right-brained or left-brained, but older people are whole-brained. One surprising thing that brain research has shown is that when the brain is stimulated with real creativity, brain tissue grows more dendrites, that is, the brain reserve gets larger. The immune system also grows stronger.

In North America, the shift from a negative, medical model of aging into what can older people offer has happened since 2000. Elders Share the Arts (New York City) started by collecting stories and transforming them into all art forms. This grew into the first landmark research on creativity and aging in the US. The research was carried out between 2001 and 2005.

What the results of the study showed was that the health of older people involved in creative artistic expression group improved significantly in all areas. They:
• lived longer
• visited the doctor less often
• took fewer medications
• incurred less health care costs
• had fewer falls
• increased their visual acuity, if they were engaged in visual arts
• had more friends and social contacts
• increased their sense of mastery and control over their lives, even in non-art areas
• had increased confidence
• increased their ability and willingness to problem-solve and locate and use resources
• experienced less depression
• appeared to have a deceased risk for entering long-term care

In addition to providing previously unavailable research data, another goal of the research was to prepare material to present at the 2005 White House Conference on Aging in order to influence the revision of the Older Americans’ Act. This included a 40-state grass roots movement to bring arts and artists to the conference. Both the research and the grass roots movement was successful and a statement that “Older people have the right to access the arts” became part of the Older Americans’ Act.

The National Centre for Creative Aging, www.creativeaging.org, also came out of that research. They continue to promote art projects for older people, and in 2007 they developed a Creativity Matters Toolkit, which is available for purchase, as well as a free Internet newsletter, and training programs for artists to work with older people. Their goal is to pair as many senior’s programs as possible to arts organizations on the local, state, and national level.

Total respect for life experiences is the base and heart of artistic programs for seniors. These are not “keep busy” projects. We are talking professional art instruction, public performances and art exhibits, and social integration into a multi-generational group.

Stop thinking of arts for older people as follow-the-dot kits, sing-alongs, etc. where all the person has to do is slap on some paint or try to remember the words to old songs. Real creativity starts with the blank page, the lump of clay, a drum, or an empty stage.

Stop using bland, non-controversial subjects, such as having older people paint a bunch of flowers on a table. Tap into the individual and cultural heritage that every older person has and allow art to grow out of the richness of that heritage.

Real artists deserve real working space, and real display space. Stop thinking of art for older people in terms of “Art Corners” furnished with second-hand furniture and third-hand, close-out-sale art supplies, where finished projects are Scotch-taped or pinned to a bulletin board with thumbtacks. Get artists into real art studios, real performance spaces. Mount the pictures, frame them, and display them in galleries. Put actors, poets, musicians, and writers on stage. Make CDs. Do desk top publishing. Organize living history festivals and present them in real venues.

Think partnerships. It’s not a matter of corporations or governments making a donation and walking away. Close the circle by taking the art back to those same organizations in the form of art displays, performances, etc.

Train people already working with older adults in the arts; train artists in working with older people.

Form intergenerational liaisons and projects whenever possible. Connect to local school curricula and build artist/school links, such as linking a seniors’ centre and a school in the same neighborhood.

If you want a look at some older people totally immersed in their art, I recommend both of these films, which were shown as part of the Edmonton festival.

Do Not Go Gently: the power of imagination in aging
2007, 57 minutes, US production, narrated by Walter Cronkite.
Explores the thoughts of older artists and others involved in creative aging. How important is imagination to the experience of being human? What are the most inventive artists expressing at a very old age? And why? This is a very powerful film, featuring:
• Arlonzia Pettaway, 84, quilter from Gees Bend, Alabama.
• Frederick Franklin, 93 ballet artist, who’s still dancing and teaching younger dancers
• Leo Ornstein, over 100, musical composer and pianist
• Several groups around the US, which offer artistic programs for their senior members

Still Kicking
2006, 35 minutes, US production
Amy Gorman invited Frances Kandl to journey with her throughout the San Francisco Bay Area searching for female role models—very old women, still active artists, living with zest. While Amy chronicles their oral histories, Frances is inspired to compose songs for several of these women, many well past 90, culminating in concerts celebrating lives liberated by age. Artists featured:
• Frances Catlett, 95, painter
• Ann Davlin, 93, dance and piano teacher
• Madeline Mason, 101, doll maker
• Elsie Otaga, 91, ikebana artist
• Grace Gildersleeve, 95, rug weaver
• Lily Hearst, 108, pianist
Writing quote for the week:

If you don’t have a sense of wonder, you can’t create. Wonder begins when you ask a question to which there is no clear answer. The question and answer must flow through one another. The question must be the answer and the answer must be the next question.
~Ted Blodgett, City of Edmonton poet laureate


Lonnie Cruse said...

As someone about to go on Medicare, I enjoyed your article, Sharon. Besides writing, I've always enjoyed drawing and painting (acrilic or watercolor, oil is toooo slow drying for me.)

Jane said...

My has started doing Sudoku. It helps keep his brain active.

A Paperback Writer said...

My dad has been a graphic artist since he was about 25. He started oil painting about 30 years ago and has since added watercolors and acrylics. He started woodcarving at the age of 80 and has won blue ribbons every time he's entered a contest. Last Christmas I bought him a digital camera and he's learning to use iPHoto. He'll be 84 next month and is in good health and good spirits.
This was a great post.